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The star system was the method of creating, promoting and exploiting stars in Hollywood films. Movie studios would select promising young actors and glamorise and create personas for them, often inventing new names and even new backgrounds. Examples of stars who went through the star system include Cary Grant (born Archie Leach), Joan Crawford (born Lucille Fay LeSueur), and Rock Hudson (born Roy Harold Scherer, Jr.) The star system put an emphasis on the image rather than the acting, although discreet acting, voice, and dancing lessons were a common part of the regimen. Women were expected to behave like ladies, and were never to leave the house without makeup and stylish clothes. Men were expected to be seen in public as gentlemen. Morality clauses were a common part of actors' studio contracts. Just as studio executives, public relations staffs, and agents worked together with the actor to create a star persona, so they would work together to cover up incidents or lifestyles that would damage the star's public image. It was common, for example, to arrange sham dates between single (male) stars and starlets to generate publicity. Tabloids and gossip columnists would be tipped off, and photographers would appear to capture the romantic moment. At the same time, a star's drug use (such as Robert Mitchum's arrest for marijuana possession), drinking problems, divorce, or adultery would be covered up with hush money for witnesses or promises of exclusive stories (or the withholding of future stories) to gossip columnists. ==Beginnings of the star system== In the early years of the cinema (1890s–1900s), performers were not identified in films. There are two main reasons for this. # Stage performers were embarrassed to be in film. Silent film was only considered pantomime. One of an actors' main skills was their voice. They were afraid that appearing in films would ruin their reputation. Moguls such as Adolph Zuckor, founder of Famous Players in 1912, brought theater actresses such as Sarah Bernhardt into the movies however audiences wanted ''movie stars''. Early film was also designed for the working class. Film was seen as only a step above carnivals and freak shows. # Producers feared that actors would gain more prestige and power and demand more money. Thomas Edison and the Motion Picture Patents Company (MPPC) forced filmmakers to use their equipment and follow their rules, since they owned the patents of much of the motion picture equipment. The MPPC frowned on star promotion, although, according to research done by Janet Staiger, the MPPC did promote some stars around this time. The main catalyst for change was the public's desire to know the actors' names. Film audiences repeatedly recognized certain performers in movies that they liked. Since they did not know the performers' names they gave them nicknames (such as "the Biograph Girl," Florence Lawrence, who was featured in Biograph movies). Producer Carl Laemmle promoted the first movie star. He was independent of the MPPC and used star promotion to fight the MPPC's control. Laemmle acquired Lawrence from Biograph. He spread a rumor that she had been killed in a streetcar accident. Then he combated this rumor by saying that she was doing fine and would be starring in an up-coming movie produced by his company, the Independent Moving Pictures Company (IMP). The development of film fan magazines gave fans knowledge about the actors outside of their film roles. ''Motion Picture Story Magazine'' (1911–1977) and ''Photoplay''. They were initially focused on movies' stories, but soon found that more copies could be sold if they focused on the actors. The creator of the star system in any form of entertainment was P. T. Barnum in the mid 19th century, a system of promotion he developed for his Museum of Freaks and later his ''Greatest Show on Earth'' circus. Barnum's biggest stars were Jenny Lind, Tom Thumb and Jumbo. Also, precedents set by legitimate theater encouraged film to emulate the star system of the Broadway stage. Broadway stars in the late 19th century were treated much like film stars came to be treated by the middle of the 20th century. The main practitioner of the star system on Broadway was Charles Frohman, a man whom Zukor, Laemmle, Mayer, Fox and the Warner Brothers emulated and who later perished in the Lusitania sinking. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Star system (filmmaking)」の詳細全文を読む スポンサード リンク
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